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Offline chrisNova777

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Kawai Q80 (1989) digital MIDI sequencer
« on: December 10, 2015, 07:39:29 PM »

Kawai Q80

Quote
Type: Workstation/ module/
Synthesis Type:
Polyphony:
Max: 32
Typical in use:
Multi-timbral (number of parts): 16
Controllers :
Keyboard :
Number of Keys :
Can send on 16 simultaneous MIDI channels
Responds to :
Sounds can be split by :
Inputs and Outputs :
Number of Audio Outs (excluding Phones) :
Number of Audio Ins :
Number of MIDI Outs (excluding Thru) : 1
Number of MIDI Ins : 1
Sequencer
 Memory :
Number of Notes :
Number of Patterns :
Number of songs : 10

Cool features :
mute buttons on front panel, great for just jamminglike cubase in a black box ;)

http://www.sonicstate.com/synth/kawai_q80/
https://www.soundonsound.com/sos/1995_articles/aug95/secondhandgear2.html
http://www.kawaius-tsd.com/OM/MODULE~1/Q-80.PDF
http://www.muzines.co.uk/articles/kawai-q80/1138




Quote
KAWAI Q80

Kawai's late '80s flurry of hi-tech equipment included such gems as the K1 synth and the R50 drum machine (see Part 1 of this feature in last month's SOS) -- and a hardware sequencer, the Q80. Though nothing really novel stands out about this unit, it's comprehensively and solidly specified, and offers the convenience of a 3.5-inch floppy disk drive. In addition to sequencing duties, the Q80 is also well suited to the odd bit of MIDI SysEx storage, as it has 64K of internal memory set aside specifically for SysEx data (separated into ten files). All the functions you'd expect of a hardware sequencer are present, and the provision of two MIDI Outs gives you access to 32 fully independent MIDI channels. One of the programming features, 'Motif', is very neat. Up to 100 drum machine-like patterns can be inserted anywhere you like in a song -- and any section of a song can itself be turned into a Motif. The use of Motifs makes the construction of finished tracks a fast and intuitive process.

At a second-hand price of around £150 or less, the Q80 is a neat, smart-looking sequencer with enough features to satisfy even the more demanding musician.

KAWAI Q80

• Tracks: 32.
• Note Capacity: 26,000 notes.
• Resolution: 96ppqn.
• Storage: Floppy disk.
• Target price: £150.
• SOS Review: February 1989.

http://fr.audiofanzine.com/sequenceur-hardware/kawai/Q-80/


The Q-80 is a 32-track sequencer with 26,000-note capacity and a built-in 3.5" disk drive. Extensive and complete editing, real-time and step recording and quantizing with up to 10 songs. A new "motif" function allows up to 100 stored musical phrases or "motifs" for use or insertion into a song at any time. The Q-80 works well in the studio and for live performances. The Q-80 can also store MIDI system exclusive data to disk from other synths. (1988)


Offline chrisNova777

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Offline chrisNova777

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Re: Kawai Q80 (1989) digital MIDI sequencer
« Reply #2 on: March 29, 2018, 03:38:56 PM »
http://www.muzines.co.uk/articles/fighting-hard/4495


Quote
Kawai's first ever dedicated MIDI sequencer may have to fight hard to make its mark in an already overcrowded market, but it has one major advantage over the competition - its price!


For years the pundits have been marking Kawai's card as a future hi-tech producer of distinction. As with that other Japanese giant, Technics, one always got the feeling that whenever the company chose to dive headlong into the field, the establishment of Yamaha, Roland and Korg - despite long years devoted to the production of instruments for the pro and semi-pro rock/pop musician - would have a real fight on their hands.

And so it has proved. From the high-powered R50 drum machine, through the critically acclaimed K5 synth, to the bestselling K1 and its modular offspring, Kawai's image has shifted from that of just another large Far Eastern piano and organ manufacturer to a dynamic force in the hi-tech keyboard industry in little over two years.

Dynamic in terms of product, at any rate: other aspects of business still require some attention; a case in point being the timing of product announcements. Although the Q80 was launched at the 1988 NAMM show, it has taken almost a year for it to start drifting into reviewers' hands. In such a time-scale, a software sequencer could easily have undergone two or three major revisions. The Q80, on the other hand, is still very much as previewed.

Still, the spec was impressive then, and it remains so today, since any potential disappointments have been more than offset by the subsequent announcement of its price. A dedicated 32-track sequencer with a host of eyecatching new features, such as 'human feel' quantisation and special pattern memories, for £595?